Fonts for Subtitles. Many people, if not all, like to spend their free time watching movies and videos. Sometimes, you are not able to listen to the dialog while watching it, especially if at work or outside in a crowded place. On such occasions, the next best thing we can do is to read the subtitles. Under these conditions, we need a subtitle font that is clearly visible and easily readable. If you search the Internet, you will find that there are millions of typeface styles for this purpose.
So, which script do you choose and how do you distinguish the best one from the others? Well, for that, take a look at the best font styles listed below. These were chosen as the best after carefully studying feedback from users all over the world.
We have prepared the perfect fonts with all the criteria in mind. First, clarity and positioning are what will make subtitles easier for you to read. An important aspect to consider is whether a particular typeface is available or supported by a wide range of devices.
You might want to watch the video on your system, player, smartphone, or other devices, right? So, compatibility is important and that’s something we have considered too when picking such fonts. If you are ready to create easy to read text, then enjoy this MasterBundles selection of the best fonts for subtitles.
Best Premium Fonts for Subtitles
Arial Rounded Font Regular Style
Greycliff CF Geometric Sans Font
Times New Roman Font for Subtitle
Cinecav X Font
Maxwell Sans Small Caps Book
Robeton Font for Subtitle
Verdana Pro Font for Subtitle
TA Modern Times New
Best Free Fonts for Subtitles
Arial Narrow Font for Subtitles
Carson Font for Subtitles
Times Sans Serif Font
Kelvetica Nobis Font for Subtitles
Open Sans Font for Subtitles
Rasputin Slab Serif Font
Aleo Font for Subtitles
Inter Font for Subtitles
Inerta Sans Serif Font
Mekorot Font for Subtitle
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Liza is Masterbundles’ CMO and copywriter, passionate about black coffee, writing and Depeche Mode. She does her best to deliver you the most valuable deals on the web.
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